Last week we talked about Using Styles to Stretch your Digi-Stash. Thank you for communicating with us via the Comment Section, which follows each post. We love hearing your ideas and receiving your input. Since there were some comments on extracting a designer’s pattern from a set of Styles, let’s explore that a little further today.
The pattern of a Style, is in part, what creates the personality of the Style. There are a lot of other choices a designer will make when creating a Style (such as Bevel and Emboss, and so forth), but the pattern itself, in general, is what first catches our attention. Here are some examples of what I mean:
They all are very different, and we would select one of them for use, based on the pattern that we see.
The pattern size itself can vary within a Style. Some designers create their Style patterns at 600×600, some at 900×900, for example, or various other sizes. There is no “right” or “wrong” size for a Style pattern. It is simply a creative choice.
We can turn off all of the designer choices for the style, leaving only the pattern visible and available for our use. This can be helpful in some situations. (For one specific example, please refer back to Using Styles to Stretch your Digi-Stash.)
One suggestion offered by a reader last week was to create a new document, fill it with the pattern, and save that document as a jpg, to create a Style Sheet. Or alternatively to define the new document as a Photoshop pattern and save it for later use. Here are a few points to remember, when choosing to do that.
In order to see the full pattern, and no more than the full pattern, we need to know the size that the pattern was created. If we hover our mouse over the pattern file inside the Styles Panel, we will be able to see the size of the pattern.
In the image below, you can see that my Stratified Rock pattern is 1024 x 1024.
That means, in order for me to see the full pattern, and no more than the full pattern, I would need to create a 1024 x 1024 document and apply the style to it.
Here is what that would look like at 1024 x 1024, with all of the options invisible, with the exception of the pattern:
Now let’s Fill a 3600 x 3600 paper with the pattern (Edit > Fill > Pattern):
Not very pretty is it? Why does it look so different at this size? Because the pattern size is 1024 x 1024, so it must repeat itself to fill up the 3600 x 3600 document. In the image below, I have isolated the 1024 x 1024 pattern by applying a black stroke around the pattern, for a visual reference.
I think there is value in using the above document when clipping to a line-art, as demonstrated in last week’s blog post, but the same thing can be accomplished when applying the style to your line art or embellishment and turning off the options you don’t want to include, as demonstrated in Using Styles to Stretch your Digi-Stash.
“The Buyer shall not copy, modify, reverse compile, or reverse engineer the Product…. ”
It would be very easy to create a Style Sheet for your own personal use, but, in time, forget it actually was an extracted pattern from a Designer’s Style. This would be a concern when using the pattern in a layout or project, which required proper designer credit (for example online or in a printed publication).
If you prefer to simply use the Style as it came, but modify it to your needs, you can easily do that by scaling the pattern in the Styles panel. We’ll talk about that next week!
P.S. For the purposes of this tutorial, I used my own Styles as an example, simply because it was easier for me to do so. Please visit our Commercial Use store to view the 446 Photoshop Styles we have for your designing pleasure, all created by our talented Studio designers!
I have some new Stratified Overlays in my CU shop. These Overlays are sister companions to the Stratified Rock Styles. You may download a Sample Overlay here.